Russian avant-garde artist El Lissitzky, made a career of utilizing art for social change. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. Shop Art.com for the best selection of El Lissitzky wall art online! Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. But by the early 1920s, the young artist had moved away from figural art and into abstraction. [Internet]. El Lissitzky (Lazar M. Lissitzky, November 22, 1890, p. Pochinok, Russian Empire – December 30, 1941, Moscow, USSR) – Russian painter, designer and architect, … A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. "Had Gadya" is a song that is sung by Jewish families on the first evening of Passover. It uses shape, positioning and color in keeping with the movement's principles, especially the "color" phase of the movement. All prints, paintings and photos included in ElLissitzky.org are provided as an affiliate to Art.com who hold necessary permissions. These geometric elements - harbingers in a sense - speak not to the overt simplicity of Lissitzky's later style, but they also create a sense of movement within the composition. El LISSITZKY (1890-1941) (Russian federation) is an artist born in 1890 The oldest auction result ever registered on the website for an artwork by this artist is a print-multiple sold in 1986, at Christie's , and the most recent auction result is a photography sold in 2020. Which is negative? Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. In 1919–1920 Lissitzky was a head of Architectural department at the People's Art School where with his students, primarily Lazar Khidekel, he was working on transition from plane to volumetric suprematism. The full text of the article is here →, UNOVIS (УНОВИС) (The Champions of the New Art), http://en.wikipedia.org/wiki/El_Lissitzky, Cover of booklet of Soviet Division of the International Exhibition of Hygiene in Dresden, Cover for 'Good!' El Lissitzky, Russian painter, typographer, and designer, a pioneer of nonrepresentational art in the early 20th century. El Lissitzky was an avant-garde Russian artist and major figure in both Suprematism and Constructivism. Artist: El Lissitzky. info); November 23 [O.S. When only 15 he started teaching, a duty he would maintain for most of his life. Feb 10, 2016 - Explore Jung Chao's board "El Lissitzky" on Pinterest. Beat the Whites with the Red Wedge is one of Lissitzky's earliest attempts at propagandistic art. View El Lissitzky’s 540 artworks on artnet. Each sheet is inscribed 'El Lissitzky' either b.l. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Proun 99. P07137-47 Victory over the Sun 1923 . In fact, he made the very first abstract work with a political message. Oil on canvas - Museum of Modern Art, New York 1919-20. El Lissitzky (1890-1941) was an artist, designer, photographer, typographer, polemicist and architect. Universal artist El Lissitzky (1890-1941) is one of the key protagonists of constructivism. Beat the Whites with the Red Wedge. It tells the tale of a billy goat (representing the Jewish people) who is attacked by a cat, which is in turn attacked by a dog. Although often highly abstract and theoretical, Lissitzky's work was able speak to the prevailing political discourse of his native Russia, and then the nascent Soviet Union. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. Refine by. shape. Russian Painter, Typographer, and Designer. View El Lissitzky’s 537 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Lissitzky received his initial art training in Vitebsk (now Vitsyebsk, Belarus), See available prints and multiples, photographs, and works on paper for sale and learn about the artist. Landscape. These properties lie in the photographic material itself and it is essential for us to develop them in order to make photography truly into art." Also in 1912 some of his pieces were included for the first time in an exhibit by the St. Petersburg Artists Union; a notable first step. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. This poster was created for a 1929 exhibition at the Kunstwerbemuseum or Museum of Decorative Arts in Zurich. These animals represent the oppressors of Jews throughout history. This 1919 version, created for a children's book, features quaint, naturalistic animals contained within curvilinear compartments that overlap. "El Lissitzky Artist Overview and Analysis". Lissitzky's Prounen or Proun work, which spanned a variety of media from painting and illustration to physical installation, was the artist's effort to create three-dimensional environments in which two-dimensional shapes could exist in direct contrast to the space they inhabited. A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. These figures are fused to emphasize the equality of the sexes in the Communist idiom and they are the essence of the State. Wall Art. Large. Even though his work was often abstract, El Lissitzky’s was addressing the political situation in Russia and the nascent Soviet Union. Lissitzky had long envisioned his countrymen rising to new heights, both physically and spiritually. In 1909, he applied to an art academy in Saint Petersburg, but was rejected. With The Runner, Lissitzky converted his 1926 gelatin silver print Runner in the City into a stunning new visual reference to the modern celebration of speed and dynamism by splicing the photo into equal, vertical sections. Medium. Photogravure in red and black - Museum fur Gestaltung Basel, Switzerland. ; the title page is also numbered '8' b.r. See available prints and multiples, photographs, and works on paper for sale and learn about the artist. During the summer of 1912, Lissitzky, in his own words, "wandered through Europe", spending time in Paris and covering 1,200 kilometres (750 mi) on foot in Italy, teaching himself about fine art and sketching architecture and landscapes that interested him. Lissitzky, of Lithuanian Jewish оrigin, began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. Find more works of this artist at Wikiart.org – best visual art database. Here Lissitzky uses his signature coded color combination of red, white and black, which reinforces the message indicated by the work's title. Victory over the Sun: All is well that begins well and has no end, 1913; Reminiscence of Ravenna, 1914; Flying Sun, 1916; Book cover for 'Ingle-Tsingl-Khvat' by Mani Leib, 1918; Book cover for 'Chad Gadya' by El Lissitzky, 1919; Illustration by El Lissitzky … El Lissitzky is an inventor of a new art movement, that he called "prouns". El Lissitzky 1890-1941 . Nov 24, 2012 - Explore artexperiencenyc's board "El Lissitzky", followed by 3682 people on Pinterest. He left in 1909 to study architectural engineering at a Technische Hochschule in Darmstadt, Germany. Like many other Jews then living in the Russian Empire, Lissitzky went to study in Germany. Lissitzky's Prounen or Proun work, which spanned a variety of media from painting and illustration to physical installation, was the artist's effort to create three-dimensional environments in which two-dimensional shapes could exist in direct contrast to the space they inhabited. Lazar Markovich Lissitzky, known as El Lissitzky, was a Russian artist, designer, photographer, typographer, polemicist and architect. See available prints and multiples, photographs, and works on paper for sale and learn about the artist. Colors and shapes take on directly symbolic significance. During his childhood, he lived and studied in the city of Vitebsk, now part of Belarus, and later spent 10 years in Smolensk living with his grandparents and attending the Smolensk Grammar School, spending summer vacations in Vitebsk. department. The end result for Lissitzky was ideally to create an ongoing tension between open, negative, three-dimensional space and flat, purely abstract, geometric forms. He produced this politically charged work in support of the Red Army shortly after the Bolsheviks had waged their revolution in 1917. The red wedge symbolized the revolutionaries, who were penetrating the anti-Communist White Army. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). He foreordained the development of architecture and design of the XX century. “Proun” means “proekt utverzdeniya novogo” (design for the confirmation of the new). The Estate of El Lissitzky and their presence hold all necessary copyrights and licences for all of his paintings and other works. Dramatic color contrasts also create confusion regarding space-which area is positive? Portrait. Catalogue entry. The print shop for the magazine Ogoniok in Moscow stands as Lissitzky's sole extant work of architecture. This continued until his deathbed, where in 1941 he produced one of his last works – a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. Ironically, in some regards his passion for architecture was also his greatest challenge to his own productivity. subjects. For example, the smooth, curvilinear walls of the white circle are pierced by the sharp point of the red triangle: the Red Army has pierced the defenses of the White Army. At this point Lissitzky subscribed fully to suprematism and, under the guidance of Malevich, helped further develop the movement. For Lissitzky, architecture was an enduring passion. Lissitzky's effort to make a form of media then considered trivial into high art was in fact another evolutionary step for the artist's own Constructivist style. El Lissitzky lived in the XIX – XX cent., a remarkable figure of Russian-Jewish Suprematism and Constructivism. Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen ; November 23 [O.S. This catalogue entry discusses a group of works. Portfolio of lithographs comprising a cardboard case, a title page in black (P07137) and ten colour lithographs on paper approx. El Lissitzky was a Russian avant-garde artist and polemicist who utilized art in order to initiate various social and political changes. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. Abstraction means that images and forms look like nothing found in the real world. El Lissitzky. El Lissitzky was an avant-garde Russian artist and major figure in both Suprematism and Constructivism. Lissitzky once wrote of photography, "...photography possesses properties not available to painting. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design. The segmented photo mimics the effect of perceiving objects in motion (the objects are moving and/or the viewer is also in motion): there is a sense of visual fragmentation as one glimpses the parts rather than the whole. Painting and drawing, which had formerly existed independently of the three-dimensional media of sculpture and architecture, could now be fused to them to create new, integrated forms - ideally, the futuristic, Suprematist-style buildings Lissitzky envisioned. El Lissitzky was an avant-garde Russian artist and major figure in both Suprematism and Constructivism. See available prints and multiples, photographs, and works on paper for sale and learn about the artist. Oversized. El Lissitzky was a Russian avant-garde artist and polemicist who utilized art in order to initiate various social and political changes. All Items Exclusives. The prevailing idea was to construct something grand and utterly new, and in this sense, the very notion of photography as a pure art form, or what the Soviets regarded as a "medium for enlightenment," was something truly avant-garde. Content compiled and written by Justin Wolf, Edited and published by The Art Story Contributors. A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Abstraction is sometimes also called nonrepresentational art. In this renderings, towering monoliths seem to float weightlessly in mid-air, defying gravity and denying very real considerations (such as budget constraints). Always expressing an interest and talent in drawing, he started to receive instruction at 13 from Yehuda Pen, a local Jewish artist, and by the time he was 15 was teaching students himself. Each sheet is inscribed 'El Lissitzky' either b.l. size. P07137-47 Victory over the Sun 1923 . The architect, photographer, designer, graphic artist and painter first studied architecture at Darmstadt Technical University (1909-14) and in Moscow (1914-18), and then followed Marc Chagall’s invitation to teach at Witebsk Art School, where he met Kazimir Malevich. color. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. Here, basic forms combine with actual text: painting and typography are fused. ; the title page is also numbered '8' b.r. Low price guarantee, fast shipping & free returns, and custom framing options on all prints. El Lissitzky: List of works. His utopian aspirations were often realized in Lissitzky's sketches and blueprints for buildings that would have been impossible to construct. Find artworks by El Lissitzky (Russian, 1890 - 1941) on MutualArt and find more works from galleries, museums and auction houses worldwide. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי ‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. Not without a sense of the practical, Lissitzky modified his architectural visions. Unfortunately the actual building is far from what he imagined, containing virtually none of the horizontal skyscraper elements that became Lissitzky's signature design. El Lissitzky is one of the leading artists of Russian and European avant-garde. All Rights Reserved |. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. El Lissitzky was born Lazar Markovich Lisitskii on November 23, 1890, in Pochinok, in the Russian province of Smolensk, and grew up in Vitebsk. At the start of his career, El Lissitzky's art was figural or based on recognizable forms like people and animals. Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewußte Schaffen" (goal-oriented creation). Lithograph - Municipal Van Abbemuseum, Eindhoven, The Netherlands. This work is an important precursor to Lissitzky's Prouns, when Suprematist art moved onto a three-dimensional visual plain. Even though his work was often abstract, El Lissitzky’s was addressing the political situation in Russia and the nascent Soviet Union. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. His innovations in typography, advertising, and exhibition design were particularly influential.

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